Best Harris, Thomas

Exploring both the nature of human evil and the nerve-racking anatomy of a forensic investigation, Harris unleashes a frightening vision of the dark side of our well-lighted world. Graham, in turn, enlists the aid of his old adversary, Hannibal Lecter, to find the killer, who poses family members on film after murdering them.

A plunge into the darkest chambers of a psychopath's mind -- in the deadly search for a serial killer . From the tormenting words of the homicidal maniac Dr. Hannibal Lecter and the flesh-rending depravity of an elusive killer to the sheer courage of a young FBI novice, who risks her life to track him down and stop the bloodshed. A native of Mississippi, Thomas Harris began his writing career covering crime in the United States and Mexico, and was a reporter and editor for the Associated Press in New York City.

Hannibal’s uncle, a noted painter, finds him in a Soviet orphanage and brings him to France, where Hannibal will live with his uncle and his uncle’s beautiful and exotic wife, Lady Murasaki. But Hannibal’s demons visit him and torment him. Harris's masterful and mesmerizing follow up, The Silence of the Lambs wowed fans, but it was Jonathan Demme's terrifying, Oscar-winning (Best Actor, Actress, Director, Picture and Adapted Screenplay) film , and Anthony Hopkins's extraordinary (and arguably over the top) performance that made "Hannibal the Cannibal" a household name. Fans have been waiting decades to find out how the good doctor became "death's prodigy," making Hannibal Rising one of the most anticipated books of 2006 (and movies of 2007 ). The door to Dr. Hannibal Lecter's memory palace is in the darkness at the center of his mind and it has a latch that can be found by touch alone. This curious portal opens on immense and well-lit spaces, early baroque, and corridors and chambers rivaling in number those of the Topkapi Museum. Spaces devoted to Hannibal Lecter's earliest years differ from the other archives in being incomplete. Some are static scenes, fragmentary, like painted Attic shards held together by blank plaster. Other rooms hold sound and motion, great snakes wrestling and heaving in the dark and lit in flashes. In his years of confinement he improved and enlarged his palace, and its riches sustained him for long periods while warders denied him his books. Finding it, let us elect for music in the corridors and, looking neither left nor right, go to the Hall of the Beginning where the displays are most fragmentary. Robert Lecter's letters, recently unearthed, may help us establish the vital statistics of Hannibal, who altered dates freely to confound the authorities and his chroniclers. Lothar heard it first as he drew water, the roar of an engine in low gear and cracking of branches. A Soviet tank, a T-34 in winter camouflage of snow and straw, crashed up the horse trail and into the clearing. The tank driver snaked a hose with a screen filter down the well and after many pulls on the rope the pump clattered, squealed, and primed itself. The noise covered the scream of the Stuka dive bomber until it was almost on them, the tank's gunner swiveling his muzzle around, cranking hard to elevate his gun, firing as the airplane's winking cannon stitched the ground. The Stuka's windscreen starred with fractures, the pilot's goggles filled with blood and the dive bomber, still carrying one of its eggs, hit treetops, plowed into the garden and its fuel exploded, cannon under the wings still firing after the impact. Hannibal, on the floor of the lodge, Mischa partly under him, saw his mother lying in the yard, bloody and her dress on fire. to Mischa and he ran to his mother, ammunition in the airplane cooking off now, slow and then faster, casings flying backward striking the snow, flames licking around the remaining bomb beneath the wing. Hannibal heaped snow onto the fire in his mother's clothes, stood up and ran to Mischa amid the random shots and carried her into the lodge, into the cellar. Manhunter. Red Dragon. The Silence of the Lambs. Hannibal --This text refers to an alternate Audio CD edition.

As the part-time police chief of a small West Virginian mountain town, Isabeau “Bo” Maran doesn’t need a mysterious man in her life—especially a troublemaker as enticing and secretive as Morgan. Linda Howard is the award-winning author of many New York Times bestsellers, including Up Close and Dangerous, Drop Dead Gorgeous, Cover of Night, Killing Time, To Die For, Kiss Me While I Sleep, Cry No More, and Dying to Please .

Only one link survives with those tumultuous times: the grotesque figure of Leto Atreides, son of the prophet Paul Muad'Dib, and now the virtually immortal God Emperor of Dune. He worked a wide variety of jobs--including TV cameraman, radio commentator, oyster diver, jungle survival instructor, lay analyst, creative writing teacher, reporter and editor of several West Coast newspapers--before becoming a full-time writer. Brick has narrated for many popular authors, including Michael Pollan, Joseph Finder, Tom Clancy, and Ayn Rand. He was the winner of the 2012 Audie Award for Best Male Narrator, and was named the 2011 Best Voice in Biography and History and the 2010 Best Voice in fiction by AudioFile magazine.

As the year goes by, though, Billy figures out how to navigate elementary school, appreciate his little sister, and be a more grown up and responsible member of the family and a help to his busy working mom and stay-at-home dad. Billy Miller is starting second grade, and though his teacher, Mrs. Silver, tells the class it is the Year of the Rabbit, Billy’s father tells him it will be the Year of Billy Miller. There are some wonderful moments here: when Billy brings his teacher silver items—coins, a paper clip, a little rabbit—to show her he’s a nice boy; when he agonizes over how to tell his father that Papa is a babyish name; and a triumphant ending when poetry and self-confidence intertwine.

Therese, a struggling young sales clerk, and Carol, a homemaker in the midst of a bitter divorce, abandon their oppressive daily routines for the freedom of the open road, where their love can blossom. ''A document of persecuted love -- perfect.''. very recognizably Highsmith, full of tremor and of threat and of her peculiar genius for anxiety.''. very recognizably Highsmith, full of tremor and of threat and of her peculiar genius for anxiety.''.

Told in language of great simplicity and power, it is the story of an old Cuban fisherman, down on his luck, and his supreme ordeal -- a relentless, agonizing battle with a giant marlin far out in the Gulf Stream. Written in 1952, this hugely successful novella confirmed his power and presence in the literary world and played a large part in his winning the 1954 Nobel Prize for literature. The tale concerns an old fisherman in a Cuban village who, after an especially bad fishing season, sets out in his skiff, determined to bring in a big fish.

In one of Heinlein's most controversial best-sellers, a recruit in a future world is sent through the toughest boot camp in the Universe to join the Terran Mobile Infantry in battle against mankind's most alarming enemy. ''Lloyd James is terrific as the narrator, able to infuse his voice with the wide-eyed innocence of Rico and the gruffness of Sgt. Zim.