Best World Music

Most touching are the string-backed laments that open and close the album, "Hawai'i '78 Introduction" and "Hawai'i '78," initially a reflection on his father's death, later on the passing of Hawaii's native culture. Best known is his medley "Somewhere over the Rainbow/What a Wonderful World," which played over the closing credits of the film Meet Joe Black .

Ancient carols, Renaissance rhythms and haunting medieval hymns bring to life images of desert landscapes, stone monasteries and the origins of Christmas. Maggie Sansone on hammered dulcimer with members of Ensemble Galilei: Marcia Diehl on recorder, bowed psaltery and pennywhistle; Jim Brooks on recorder and concertina; Sue Richards on Celtic harp; Carolyn Surrick on treble viola & bass viola da gamba; Bonnie Rideout on fiddle, Zan McLeod on cittern and guitar and Ben Harms on hand drums and tambourine.

The artist behind Facing Future , the top-selling Hawaiian album of all time, the late Israel "IZ" Kamakawiwo'ole was possessed of a voice so sweet, so tender, and so lovely that it continues to deeply stir those who hear it long after he died.

African music CD release from Ladysmith Black Mambazo with the album Best Of Ladysmith Black Mambazo. African music CD.

Australian music inspired by the Didgeridoo. Features Robert Mirabal and Mor Thiam.

Born of the Creole community in Louisiana's backwaters and moving outward to Texas and California, Zydeco bumps, grinds, and is a wang dang doodle of a big time.

Disc one has 13 Tracks. Each disc is dedicated to a genre: Cuban Invocations (Afro-Cuban religious music), Cantar en Cuba (songcraft), Bailar con Cuba (dance music), and Cubano Jazz (jazz).

Ancient carols, Renaissance rhythms and haunting medieval hymns bring to life images of desert landscapes, stone monasteries and the origins of Christmas. Maggie Sansone on hammered dulcimer with members of Ensemble Galilei: Marcia Diehl on recorder, bowed psaltery and pennywhistle; Jim Brooks on recorder and concertina; Sue Richards on Celtic harp; Carolyn Surrick on treble viola & bass viola da gamba; Bonnie Rideout on fiddle, Zan McLeod on cittern and guitar and Ben Harms on hand drums and tambourine.

It is a distinctive mix of folk instruments and courtly formality--a highly disciplined and richly ornamented music originally conceived for moments of importance and ceremony. Several unusual instruments are employed, including the dan bau , a one-string guitar with a bamboo stem that bends notes like a whammy bar , and the k'ni , a rifle-shaped fiddle with a mouth attachment that can create a voice-box effect similar to that used by rock guitarists such as Peter Frampton and Joe Walsh in the '70s. The music is so expertly performed and so beautifully sequenced--the focus shifting from ensemble to solo pieces, from stringed instruments to flutes--that attention never wanders. The most exciting pieces feature a clarinet playing long lines over pounding percussion, a combination common to the music of many Southeast Asian nations.

Most touching are the string-backed laments that open and close the album, "Hawai'i '78 Introduction" and "Hawai'i '78," initially a reflection on his father's death, later on the passing of Hawaii's native culture. Best known is his medley "Somewhere over the Rainbow/What a Wonderful World," which played over the closing credits of the film Meet Joe Black .

Born of the Creole community in Louisiana's backwaters and moving outward to Texas and California, Zydeco bumps, grinds, and is a wang dang doodle of a big time.

Most touching are the string-backed laments that open and close the album, "Hawai'i '78 Introduction" and "Hawai'i '78," initially a reflection on his father's death, later on the passing of Hawaii's native culture. Best known is his medley "Somewhere over the Rainbow/What a Wonderful World," which played over the closing credits of the film Meet Joe Black .

Inkuyo , a group of accomplished musicians, brings the ancient instruments and songs of the majestic Andean highlands and of their Incan heritage, firmly into the 20th century. Performing on the quena (a resonant cane flute), an assortment of pan-pipes, Andean drums and other percussion instruments, as well as specially constructed versions of the guitar, violin, harp, and tiple (introduced by the Spanish), the members of Inkuyo conjure a heady atmosphere of scintillating melodies and spicy, South American rhythms. An internationally recognized virtuoso of pan-pipes and South American flutes, Inkuyo founder Gonzalo Vargas , inherited his traditional musical knowledge growing up in the remote Andean village of Tapajkari, Bolivia.

This twentysomething, Mozambique-born beauty of Portuguese, Spanish, German, African, and Indian descent rapidly rose from the Mouraria district of Lisbon to become fado's newest and brightest star.

Lebanese, Egyptian, Moroccan, and Algerian artists such as former Londoner Natacha Atlas (who has been featured with both Transglobal Underground and Jah Wobble) contribute 11 songs which lend themselves to sensual dance, exotic drink, and glamorous gatherings of multicultural hipsters.

All have the guitar-led sound just like Django Reinhardt, while Clearwater and Pearl Django add the violin that also helped make the Django sound distinctive (in his case, most famously by Stephane Grappelli). Jazz vocalist Connie Evingson sings with three different Hot Club groups: Pearl Django, Parisota Hot Club and Clearwater Hot Club.