Best Parenting Children with Disabilities

It’s truly moving, eye-opening, incredibly vivid.”—Jon Stewart, The Daily Show NAMED ONE OF THE BEST BOOKS OF THE YEAR BY. NPR • The Wall Street Journal • Bloomberg Business • Bookish. Written by Naoki Higashida, a very smart, very self-aware, and very charming thirteen-year-old boy with autism, it is a one-of-a-kind memoir that demonstrates how an autistic mind thinks, feels, perceives, and responds in ways few of us can imagine. Using an alphabet grid to painstakingly construct words, sentences, and thoughts that he is unable to speak out loud, Naoki answers even the most delicate questions that people want to know. In his introduction, bestselling novelist David Mitchell writes that Naoki’s words allowed him to feel, for the first time, as if his own autistic child was explaining what was happening in his mind. “It is no exaggeration to say that The Reason I Jump allowed me to round a corner in our relationship.” This translation was a labor of love by David and his wife, KA Yoshida, so they’d be able to share that feeling with friends, the wider autism community, and beyond. Andrew Solomon is the author of several books including Far From the Tree and The Noonday Demon . David Mitchell: Autism comes in a bewildering and shifting array of shapes, severities, colors and sizes, as you of all writers know, Dr. Solomon, but the common denominator is a difficulty in communication. While not belittling the Herculean work Naoki and his tutors and parents did when he was learning to type, I also think he got a lucky genetic/neural break: the manifestation of Naoki's autism just happens to be of a type that (a) permitted a cogent communicator to develop behind his initial speechlessness, and (b) then did not entomb this communicator by preventing him from writing. Language, sure, the means by which we communicate: but intelligence is to definition what Teflon is to warm cooking oil. I guess that people with autism who have no expressive language manifest their intelligence the same way you would if duct tape were put over your mouth and a 'Men in Black'-style memory zapper removed your ability to write: by identifying problems and solving them. The only other regular head-bender is the rendering of onomatopoeia, for which Japanese has a synaesthetic genius – not just animal sounds, but qualities of light, or texture, or motion. DM: Their inclusion was, I guess, an idea of the book's original Japanese editor, for whom I can't speak. But for me they provide little coffee breaks from the Q&A, as well as showing that Naoki can write creatively and in slightly different styles. DM: Naoki has had a number of other books about autism published in Japan, both prior to and after Jump . This involves him reading 2a presentation aloud, and taking questions from the audience, which he answers by typing. (I happen to know that in a city the size of Hiroshima, of well over a million people, there isn't a single doctor qualified to give a diagnosis of autism.). It’s truly moving, eye-opening, incredibly vivid.” —Jon Stewart, The Daily Show “Please don’t assume that The Reason I Jump is just another book for the crowded autism shelf. This is an intimate book, one that brings readers right into an autistic mind—what it’s like without boundaries of time, why cues and prompts are necessary, and why it’s so impossible to hold someone else’s hand. This book takes about ninety minutes to read, and it will stretch your vision of what it is to be human.” —Andrew Solomon, The Times (U.K.). [Naoki Higashida’s] startling, moving insights offer a rare look inside the autistic mind.” — Parade. With about one in 88 children identified with an autism spectrum disorder, and family, friends, and educators hungry for information, this inspiring book’s continued success seems inevitable.” — Publishers Weekly “We have our received ideas, we believe they correspond roughly to the way things are, then a book comes along that simply blows all this so-called knowledge out of the water. Once you understand how Higashida managed to write this book, you lose your heart to him.” — New Statesman (U.K.) “Astonishing. In Mitchell and Yoshida’s translation, [Higashida] comes across as a thoughtful writer with a lucid simplicity that is both childlike and lyrical. Higashida is living proof of something we should all remember: in every autistic child, however cut off and distant they may outwardly seem, there resides a warm, beating heart.” — Financial Times (U.K.) “Higashida’s child’s-eye view of autism is as much a winsome work of the imagination as it is a user’s manual for parents, carers and teachers. “ The Reason I Jump is a wise, beautiful, intimate and courageous explanation of autism as it is lived every day by one remarkable boy. Naoki Higashida takes us ‘behind the mirror’—his testimony should be read by parents, teachers, siblings, friends, and anybody who knows and loves an autistic person. I only wish I’d had this book to defend myself when I was Naoki’s age.” —Tim Page, author of Parallel Play and professor of journalism and music at the University of Southern California “[Higashida] illuminates his autism from within.

Major new sources — Rose Kennedy’s diaries and correspondence, school and doctors' letters, and exclusive family interviews — bring Rosemary alive as a girl adored but left far behind by her competitive siblings. Kate Larson reveals both the sensitive care Rose and Joe gave to Rosemary and then — as the family’s standing reached an apex — the often desperate and duplicitous arrangements the Kennedys made to keep her away from home as she became increasingly intractable in her early twenties. Larson does an excellent job of portraying theKennedy family, providing ample background on the political and economic riseof Joe Sr., the obsessions with weight and the need for solitude of Rose, therole the parents played in Rosemary's life...and theinteractions among Rosemary and her siblings. Rosemary's life has always been a small side story to thelarger drama of the Kennedy family in the scores of books written aboutthem.This is the first full lengthbiography that puts Rosemary at the center of that extraordinary familystory and gives her life the attention it deserves.

A cutting-edge account of the latest science of autism, from the best-selling author and advocate. When Temple Grandin was born in 1947, autism had only just been named. Today it is more prevalent than ever, with one in 88 children diagnosed on the spectrum. The symptoms that she displayed at a young age—destructive behavior, inability to speak, sensitivity to physical contact, fixation on spinning objects—are now considered classic indicators of the disorder, though she was diagnosed as having brain damage. She discusses when autism was first diagnosed (in 1943), but she makes clear from the start that her priority here is to encourage an accurate diagnosis for the disorder and promote improved treatments for sensory problems associated with autism, since difficulty in the latter can often be debilitating. She discusses different ways of thinking and even includes lists of potential jobs for those people among us who think differently.

It’s truly moving, eye-opening, incredibly vivid.”—Jon Stewart, The Daily Show NAMED ONE OF THE BEST BOOKS OF THE YEAR BY. NPR • The Wall Street Journal • Bloomberg Business • Bookish. Written by Naoki Higashida, a very smart, very self-aware, and very charming thirteen-year-old boy with autism, it is a one-of-a-kind memoir that demonstrates how an autistic mind thinks, feels, perceives, and responds in ways few of us can imagine. Using an alphabet grid to painstakingly construct words, sentences, and thoughts that he is unable to speak out loud, Naoki answers even the most delicate questions that people want to know. In his introduction, bestselling novelist David Mitchell writes that Naoki’s words allowed him to feel, for the first time, as if his own autistic child was explaining what was happening in his mind. “It is no exaggeration to say that The Reason I Jump allowed me to round a corner in our relationship.” This translation was a labor of love by David and his wife, KA Yoshida, so they’d be able to share that feeling with friends, the wider autism community, and beyond. Andrew Solomon is the author of several books including Far From the Tree and The Noonday Demon . David Mitchell: Autism comes in a bewildering and shifting array of shapes, severities, colors and sizes, as you of all writers know, Dr. Solomon, but the common denominator is a difficulty in communication. While not belittling the Herculean work Naoki and his tutors and parents did when he was learning to type, I also think he got a lucky genetic/neural break: the manifestation of Naoki's autism just happens to be of a type that (a) permitted a cogent communicator to develop behind his initial speechlessness, and (b) then did not entomb this communicator by preventing him from writing. Language, sure, the means by which we communicate: but intelligence is to definition what Teflon is to warm cooking oil. I guess that people with autism who have no expressive language manifest their intelligence the same way you would if duct tape were put over your mouth and a 'Men in Black'-style memory zapper removed your ability to write: by identifying problems and solving them. The only other regular head-bender is the rendering of onomatopoeia, for which Japanese has a synaesthetic genius – not just animal sounds, but qualities of light, or texture, or motion. DM: Their inclusion was, I guess, an idea of the book's original Japanese editor, for whom I can't speak. But for me they provide little coffee breaks from the Q&A, as well as showing that Naoki can write creatively and in slightly different styles. DM: Naoki has had a number of other books about autism published in Japan, both prior to and after Jump . This involves him reading 2a presentation aloud, and taking questions from the audience, which he answers by typing. (I happen to know that in a city the size of Hiroshima, of well over a million people, there isn't a single doctor qualified to give a diagnosis of autism.). It’s truly moving, eye-opening, incredibly vivid.” —Jon Stewart, The Daily Show “Please don’t assume that The Reason I Jump is just another book for the crowded autism shelf. This is an intimate book, one that brings readers right into an autistic mind—what it’s like without boundaries of time, why cues and prompts are necessary, and why it’s so impossible to hold someone else’s hand. This book takes about ninety minutes to read, and it will stretch your vision of what it is to be human.” —Andrew Solomon, The Times (U.K.). [Naoki Higashida’s] startling, moving insights offer a rare look inside the autistic mind.” — Parade. With about one in 88 children identified with an autism spectrum disorder, and family, friends, and educators hungry for information, this inspiring book’s continued success seems inevitable.” — Publishers Weekly “We have our received ideas, we believe they correspond roughly to the way things are, then a book comes along that simply blows all this so-called knowledge out of the water. Once you understand how Higashida managed to write this book, you lose your heart to him.” — New Statesman (U.K.) “Astonishing. In Mitchell and Yoshida’s translation, [Higashida] comes across as a thoughtful writer with a lucid simplicity that is both childlike and lyrical. Higashida is living proof of something we should all remember: in every autistic child, however cut off and distant they may outwardly seem, there resides a warm, beating heart.” — Financial Times (U.K.) “Higashida’s child’s-eye view of autism is as much a winsome work of the imagination as it is a user’s manual for parents, carers and teachers. “ The Reason I Jump is a wise, beautiful, intimate and courageous explanation of autism as it is lived every day by one remarkable boy. Naoki Higashida takes us ‘behind the mirror’—his testimony should be read by parents, teachers, siblings, friends, and anybody who knows and loves an autistic person. I only wish I’d had this book to defend myself when I was Naoki’s age.” —Tim Page, author of Parallel Play and professor of journalism and music at the University of Southern California “[Higashida] illuminates his autism from within.

Groundbreaking and comprehensive, Driven to Distraction has been a lifeline to the approximately eighteen million Americans who are thought to have ADHD. This clear and valuable book dispels a variety of myths about attention deficit disorder (ADD). Since both authors have ADD themselves, and both are successful medical professionals, perhaps there's no surprise that the two myths they attack most persistently are: (a) that ADD is an issue only for children; and (b) that ADD corresponds simply to limited intelligence or limited self-discipline. Using numerous case studies and a discussion of the way ADD intersects with other conditions (e.g., depression, substance abuse, and obsessive-compulsive disorder), they paint a concrete picture of the syndrome's realities.