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Best Camera Lenses

Nikon AF-S DX NIKKOR 35mm f/1.8G Lens with Auto Focus for Nikon DSLR Cameras
The AF-S DX Nikkor 35mm f/1.8G optical design allows a different look and feel to images taken with zoom lenses, and its dimensions are ideal for discrete snapshots and landscape shooting with a picture angle that approximates that of the human eye. When mounted on a DX-format SLR, the picture angle is the 35mm equivalent focal length of 50mm.what's in the box: Nikon AF-S Nikkor 35mm f/1.8G DX Lens, HB-46 Bayonet Lens Hood for AF-S DX NIKKOR 35mm f/1.8G, 52mm Snap-On Lens Cap, LF-1 Rear Lens Cap for F Mount Lenses, CL-0913 Soft Lens Case and 5-Year Warranty (1-Year International + 4-Year USA Extension). Fast, f/1.8 prime lens is perfect for low-light conditions, travel, environmental portrait and general photography Engineered for Nikon DX-format D-SLRS, the AF-S DX Nikkor 35mm f/1.8G lens renders a picture angle approximating the classic normal angle of view of a 50mm lens on a Nikon FXformat digital SLR or 35mm film camera Aspherical lens element minimizes coma and other types of lens aberrations, further improving image integrity Nikon Super Integrated Coating (SIC) enhances light transmission efficiency and offers color consistency and reduced flare Exclusive Nikon Silent Wave Motor (SWM) enables fast, accurate and quiet autofocus Close focusing to 1 foot for creative perspectives and versatility Rounded 7-blade diaphragm opening makes out-of-focus elements appear more natural Accepts 52mm filter attachments. Enter your model number to make sure this fits.
Reviews
"The fact is that a 50mm lens on a full frame camera and the same lens on a crop sensor camera do not shoot the same way. Pros: - Feels well built. - Comes packaged with carrying case, good cap, bayonet style lens hood. - Can fit more in the frame. - Fast. - Captures crisp images with lots of detail. - Great in low light, maybe even better than the now older 50mm 1.8D (which by the way does not autofocus unless you have a camera with a focus motor built in). - If I had a camera that did not have a focus motor built in, no problem, this lens has a focus motor built into it. - Focusing is SILENT - unlike the 50mm 1.8D, which hunts for focus and is noisy as hell. - Manual focus override: a switch on the side of the lens allows you to either manually focus the lens, or to allow for M/A, manual and autofocus. That said, I may use this lens more as a street photo / on the go / all around lens and keep the 50mm 1.8D for portrait work or product shots exclusively. - There is some barrel distortion with this lens (which is when there is slight curve to the image from the center point to all edges) the effect is very slight and can very easily be corrected in photo editing software. Overall, I am very pleased with my purchase. The shots are to show how much can fit in the frame using the 50mm lens (on a cropped sensor camera) in comparison to this 35mm 1.8G. I love the 50mm lens, I really do, but I needed more versatility and this 35mm lens gives me just that, the freedom to have a quasi-portrait lens as well as a great, fast, and sharp all around shooter."
"I've had the camera for almost a year and have been disappointed my the photos I was taking (been using the lens kit that came with my camera). Before I got this lens I had essentially stopped using my DSLR because the lens kit was so slow that I was always miss his smile."
"came brand spanking new great condition, box was safe and secure."
"Overall I think this is a great first lens after a kit lens."
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Nikon AF-S FX NIKKOR 50mm f/1.8G Lens with Auto Focus for Nikon DSLR Cameras
Style: Lens Only. Newly developed optical system with Aspherical lens element, Exclusive Nikon Silent Wave Motor (SWM).
Reviews
"Purchased locally due to wanting to take for niece's son's 3rd b-day party today."
"Review of the Nikkor 50mm f/1.8G AF-S versus other Nikkor 50mm AF lenses. This quick review is based on my use of this lens for almost 3-weeks. It is intended for those already familiar with Nikkor's line of 50mm prime lenses but are wondering how this lens compare with the other Nikkor 50mm autofocusing lenses that I also own. AGAINST THE NIKKOR f/1.8D. The Nikkor 50mm f/1.8G is slightly bigger than the Nikkor 50mm f/1.8D and a bit heavier but by a mere 31 grams, hardly noticeable at all. Unlike the 50mm f/1.8D which has a maximum aperture of f/22, the maximum aperture of this lens is f/16 (as do the Nikkor 50mm f/1.4D and 1/4G). The aspherical element in the new Nikkor 50mm f/1.8G has further improved the acuity of this lens specially noticeable at the corners even at its wide-open setting. Priced very reasonably, this 50mm f/1.8G lens also now focuses on Nikon bodies without built-in focusing motors such as the Nikon D3000, D3100, D5000, D5100, D40, and D60. Considering that the 50mm f/1.8G has better optical performance (sharper, better bokeh, improvement on color and contrast), has an included hood, lens pouch, plus the flexibility of being able to use this lens with all of Nikon's dSLR, I strongly recommend anyone looking for a Nikkor 50mm f/1.8 lens to choose this Nikkor 50mm f/1.8G over the Nikkor 50mm f/1.8D. AGAINST THE NIKKOR 50mm f/1.4D. The Nikkor 50mm f/1.8G is slightly bigger than the Nikkor 50mm f/1.4D but is lighter by 63 grams. AGAINST THE NIKKOR 50mm f/1.4G. In terms of size, this lens is about equal with the Nikkor 50mm f/1.4G and also uses the same 58mm filter. The aperture ring remains handy and useful for manual control of aperture in video more so as the current video-enabled Nikon dSLRs do not allow the changing of aperture settings when video recording has started. ADDITIONAL NOTES OWNERS OF THE NIKKOR 35mm f/1.8G. The Nikkor 50mm f/1.8G is slightly bigger and slightly heavier than the Nikkor 35mm f/1.8G but the weight difference is not really noticeable. If you own a Nikkor 35mm f/1.8G and need the field of view of this lens, getting this lens would be a no-brainer. SUMMARY. In sum, this lens is currently the best Nikkor 50mm lens for general still photography when shooting from f/2.0 and above. The Nikkor f/1.4D with its aperture ring is particularly useful for video with its ability to change the aperture setting through the aperture ring even after video recording has started. This prime lens is a safe, inexpensive, and exceptional route to trying out how good a prime lens can be as against zoom lens."
"This was my first lens. It is very sharp and super quick."
"The only down-point is that sometimes 50 mm is too close for some shots, even if you step back, sometimes you screw with your composition, but this only happens if you want to take a picture of a large subject or a landscape, which is not the purpose of this lens for me."
"--UPDATED REVIEW--. After a good deal of time using the 50mm f/1.4D, I decided that I wanted to pick up a quieter auto-focus lens so I decided to give the 50mm f/1.8G another shot. Overall, this lens has been a joy to use this second time around which makes me wonder what was going on with that first copy. Either way, after experiencing what this lens is capable of offering, I felt compelled to come and update this review because it really is a great lens for the beginner and enthusiast alike that's offered a very reasonable price. -- OLD REVIEW --. Given all of the positive reviews, I probably just got a bad copy, but the lens was just unacceptably soft for me which I didn't expect since it flies in the face of most of the reviews I've read about this."
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Canon EF 50mm f/1.8 STM Lens
Its bright maximum aperture of f/1.8 helps it not only to excel in low light, but also to capture gorgeous, sharp images and movies with beautiful background blur thanks to its circular 7-blade design. Canon's most compact 50mm lens, the EF 50mm f/1.8 STM has a rugged metal mount, plus an improved minimum focusing distance of 1.15 ft. (0.35m) and a maximum magnification of 0.21x. Offering sharp performance for the best in movies and stills, it's a fixed focal length gem—the perfect lens for photographers and moviemakers to expand the creative possibilities with their EOS cameras. Stepping motor (STM) delivers near silent, continous Move Servo AF for movies and smooth AF for stills.
Reviews
"HIGHLIGHTS: excellent image quality, compact form factor and affordable pricing, but with few concessions in build and AF performance. CONSTRUCTION: Slightly smaller and heavier than the prior model, EF 50 1.8 II, aka nifty-fifty, but with significantly better build quality. Improvements include metal mount, sturdier barrel and AF/MF switch, larger focus ring, grippy matte finish and stepping motor (STM). Like USM lenses, it has Full-Time Manual (FTM), allowing AF override without flipping a switch: simply turn the MF ring. FINAL BLURB: The natural perspective and fast aperture make the EF 50 1.8 STM ideal for low light, travel and street photography with a full frame camera (6D). Canon got everything right with this redesign: accurate and snappy AF, sturdy build and, most significantly, vivid and sharp images wide open."
"Not only that, but it’s now also full time focus which means no more breaking the lens when you forget to take it out of Autofocus. And paired up with a crop sensor body like the Canon 70d, you can really get some nice close up shots with lens before investing in a dedicated macro solution. BOKEH: Now even though the nifty fifty was a cheap lens, it still produced some fantastic images with a very shallow depth of field. On the new 50 stm this has now been upgraded to 7 rounded aperture blade and I’ve found that it produces some lovely bokeh. Now to me it’s not a huge deal because I didn’t mind the old 50’s bokeh shapes, but I guess it is a nice upgrade. AUTOFOCUS: Of course one of the biggest new changes to this lens is the inclusion of an STM or stepping motor. The bokeh looks fantastic, chromatic aberation has been greatly reduced compared to the old version, and vignetting if almost no existent."
"I just ordered this lens and I tried it out right away!!"
"I highly recommend you purchase this lens for new photographers in your life or for one that doesn't have this lens."
"Build quality very similar to the STM 10-18 or STM 55-250 minus the plastic mounts, meaning better than the loose 18-55 STM kit zoom and far better than the previous 50/1.8."
"I would say as a beginner, this is a great lens to have."
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Best Digital Camera Lenses

Nikon AF-S DX NIKKOR 35mm f/1.8G Lens with Auto Focus for Nikon DSLR Cameras
The AF-S DX Nikkor 35mm f/1.8G optical design allows a different look and feel to images taken with zoom lenses, and its dimensions are ideal for discrete snapshots and landscape shooting with a picture angle that approximates that of the human eye. When mounted on a DX-format SLR, the picture angle is the 35mm equivalent focal length of 50mm.what's in the box: Nikon AF-S Nikkor 35mm f/1.8G DX Lens, HB-46 Bayonet Lens Hood for AF-S DX NIKKOR 35mm f/1.8G, 52mm Snap-On Lens Cap, LF-1 Rear Lens Cap for F Mount Lenses, CL-0913 Soft Lens Case and 5-Year Warranty (1-Year International + 4-Year USA Extension). Fast, f/1.8 prime lens is perfect for low-light conditions, travel, environmental portrait and general photography Engineered for Nikon DX-format D-SLRS, the AF-S DX Nikkor 35mm f/1.8G lens renders a picture angle approximating the classic normal angle of view of a 50mm lens on a Nikon FXformat digital SLR or 35mm film camera Aspherical lens element minimizes coma and other types of lens aberrations, further improving image integrity Nikon Super Integrated Coating (SIC) enhances light transmission efficiency and offers color consistency and reduced flare Exclusive Nikon Silent Wave Motor (SWM) enables fast, accurate and quiet autofocus Close focusing to 1 foot for creative perspectives and versatility Rounded 7-blade diaphragm opening makes out-of-focus elements appear more natural Accepts 52mm filter attachments. Enter your model number to make sure this fits.
Reviews
"The fact is that a 50mm lens on a full frame camera and the same lens on a crop sensor camera do not shoot the same way. Pros: - Feels well built. - Comes packaged with carrying case, good cap, bayonet style lens hood. - Can fit more in the frame. - Fast. - Captures crisp images with lots of detail. - Great in low light, maybe even better than the now older 50mm 1.8D (which by the way does not autofocus unless you have a camera with a focus motor built in). - If I had a camera that did not have a focus motor built in, no problem, this lens has a focus motor built into it. - Focusing is SILENT - unlike the 50mm 1.8D, which hunts for focus and is noisy as hell. - Manual focus override: a switch on the side of the lens allows you to either manually focus the lens, or to allow for M/A, manual and autofocus. That said, I may use this lens more as a street photo / on the go / all around lens and keep the 50mm 1.8D for portrait work or product shots exclusively. - There is some barrel distortion with this lens (which is when there is slight curve to the image from the center point to all edges) the effect is very slight and can very easily be corrected in photo editing software. Overall, I am very pleased with my purchase. The shots are to show how much can fit in the frame using the 50mm lens (on a cropped sensor camera) in comparison to this 35mm 1.8G. I love the 50mm lens, I really do, but I needed more versatility and this 35mm lens gives me just that, the freedom to have a quasi-portrait lens as well as a great, fast, and sharp all around shooter."
"I've had the camera for almost a year and have been disappointed my the photos I was taking (been using the lens kit that came with my camera). Before I got this lens I had essentially stopped using my DSLR because the lens kit was so slow that I was always miss his smile."
"came brand spanking new great condition, box was safe and secure."
"Overall I think this is a great first lens after a kit lens."
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Best Film SLR Camera Lenses

Nikon AF FX NIKKOR 50mm f/1.8D Lens with Auto Focus for Nikon DSLR Cameras
Nikon 50mm f/1.8D AF Nikkor Lens for Nikon Digital SLR Cameras.What's in the box: Nikon Normal AF Nikkor 50mm f/1.8D Autofocus Lens, 52mm Front Lens Cap, Rear Lens Cap (slip-on) and 5-Year Warranty (1-Year International + 4-Year USA Extension). Focal Length : 50 mm, Minimum Focus Distance - 1.5 ft.( 0.45 m). Autofocus operation with this lens is possible with Nikon autofocus cameras (except the F3AF); manual focus possible via separate focusing ring with all Nikon SLRs.
Reviews
"I have been using this lens for almost a year now, and it has been my go-to lens for so many occasions."
"or. Nikon 50mm f/1.4D AF Nikkor Lens for Nikon Digital SLR Cameras Same angle, faster ;). or. Sigma 30mm f/1.4 EX DC HSM Lens for Nikon Digital SLR Cameras Wider POV and faster, not Nikon but I will buy this one instead if I had the money now..."
"As my first fixed lens, I was very excited to try this out."
"This is a great quality lens as are all of Nikon's lenses."
"But I wanted a prime lens that would fit my cameras and this certainly rounds out my lens selection."
"It works as great portrait/street/inddor photography lens."
"I have not used this lens much."
"I love this lens."
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Best Mirrorless Camera Lenses

Sony SELP18105G E PZ 18-105mm F4 G OSS
E PZ 18-105mm F4 G OSS Power Zoom Lens The first Sony G Lens created specifically for E-mount cameras is true to its heritage, achieving outstanding resolution and contrast throughout the zoom range thanks to an advanced optical design incorporating two ED glass elements and three aspherical elements. Aspherical lens elements Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Lens-based optical image stabilization Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. True to its high-end G Lens heritage, the SELP18105G lens features two ED glass elements and three aspherical elements for high resolution and contrast throughout the entire zoom range. Minimum Focus Distance : 1.48 (Wide)-3.12 ft (Tele), Maximum Magnification ratio : 0.11x, Focal Length : 18-105 mm.
Reviews
"This lens does NOT beat every other lens in every single focal range and aperture. SHOT SETTINGS: ISO100, Manual Focus, Focal length: 18/19mm, Noise Reduction: OFF, SteadyShot: OFF. RESULTS: The SELP18105G at least matches the Sigma at f4.0. It blows the SELP1650 out of the water (Just check the shots and you'll see why). THOUGHTS: If a zoom lens can zoom 87mm and still hold its own (and in some cases win) against a well regarded prime lens, then why buy prime? TIPS: I checked this lens at every focal length with every F-stop, and it is SHARPEST at F5.0-F5.6 (depending on focal length). If you own this lens, set it to aperture priority F5.0 and you should get the sharpest image this lens can produce at the given focal length."
"Sold all my gear and went SONY mirrorless with a6000.This lens is very sharp edge to edge, has color reproduction and detail comparable to a Canon L lens. At F2.8 this lens would have probably cost twice as much and likely be larger too."
"For $600, the lens has f-4 max aperture, standard OSS optical stabilization, 6x zoom (27-157mm 35mm equivalent), internal focusing (lens length remains constant for easier handling), power zoom (smoother focusing for videos and can be controlled by the free PlayMemories app), and good weight of 15.1oz (< 1 lb). This lens does not have internal focusing or power zoom, but does have a relatively better stabilization that Sony dubbed Active OSS. SEL18200le: This lens has the same featues as the SEL18200 lens, but costs $100 less because it only has the regular OSS, not the Active OSS. SELP18200: This lens is like combining the SELP18105 and SEL18200 lenses because it has the internal focusing and power zoom (indicated by the "P" in the model #), while providing 200mm zoom and Active OSS."
"I think part of the problem is that I mainly shoot with my Zeiss 55mm 1.8 and that is one of the sharpest lenses I've ever owned."
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Best Camera Lenses

Nikon AF-S DX NIKKOR 35mm f/1.8G Lens with Auto Focus for Nikon DSLR Cameras
The AF-S DX Nikkor 35mm f/1.8G optical design allows a different look and feel to images taken with zoom lenses, and its dimensions are ideal for discrete snapshots and landscape shooting with a picture angle that approximates that of the human eye. When mounted on a DX-format SLR, the picture angle is the 35mm equivalent focal length of 50mm.what's in the box: Nikon AF-S Nikkor 35mm f/1.8G DX Lens, HB-46 Bayonet Lens Hood for AF-S DX NIKKOR 35mm f/1.8G, 52mm Snap-On Lens Cap, LF-1 Rear Lens Cap for F Mount Lenses, CL-0913 Soft Lens Case and 5-Year Warranty (1-Year International + 4-Year USA Extension). Fast, f/1.8 prime lens is perfect for low-light conditions, travel, environmental portrait and general photography Engineered for Nikon DX-format D-SLRS, the AF-S DX Nikkor 35mm f/1.8G lens renders a picture angle approximating the classic normal angle of view of a 50mm lens on a Nikon FXformat digital SLR or 35mm film camera Aspherical lens element minimizes coma and other types of lens aberrations, further improving image integrity Nikon Super Integrated Coating (SIC) enhances light transmission efficiency and offers color consistency and reduced flare Exclusive Nikon Silent Wave Motor (SWM) enables fast, accurate and quiet autofocus Close focusing to 1 foot for creative perspectives and versatility Rounded 7-blade diaphragm opening makes out-of-focus elements appear more natural Accepts 52mm filter attachments. Enter your model number to make sure this fits.
Reviews
"The fact is that a 50mm lens on a full frame camera and the same lens on a crop sensor camera do not shoot the same way. Pros: - Feels well built. - Comes packaged with carrying case, good cap, bayonet style lens hood. - Can fit more in the frame. - Fast. - Captures crisp images with lots of detail. - Great in low light, maybe even better than the now older 50mm 1.8D (which by the way does not autofocus unless you have a camera with a focus motor built in). - If I had a camera that did not have a focus motor built in, no problem, this lens has a focus motor built into it. - Focusing is SILENT - unlike the 50mm 1.8D, which hunts for focus and is noisy as hell. - Manual focus override: a switch on the side of the lens allows you to either manually focus the lens, or to allow for M/A, manual and autofocus. That said, I may use this lens more as a street photo / on the go / all around lens and keep the 50mm 1.8D for portrait work or product shots exclusively. - There is some barrel distortion with this lens (which is when there is slight curve to the image from the center point to all edges) the effect is very slight and can very easily be corrected in photo editing software. Overall, I am very pleased with my purchase. The shots are to show how much can fit in the frame using the 50mm lens (on a cropped sensor camera) in comparison to this 35mm 1.8G. I love the 50mm lens, I really do, but I needed more versatility and this 35mm lens gives me just that, the freedom to have a quasi-portrait lens as well as a great, fast, and sharp all around shooter."
"I've had the camera for almost a year and have been disappointed my the photos I was taking (been using the lens kit that came with my camera). Before I got this lens I had essentially stopped using my DSLR because the lens kit was so slow that I was always miss his smile."
"came brand spanking new great condition, box was safe and secure."
"Overall I think this is a great first lens after a kit lens."
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Best Camcorder Lenses

AMIR Camera Lens Kit, 0.4X Super Wide Angle Lens + 180° Fisheye Lens & 10X Macro Lens (Attached Together), Clip on 2 in 1 Cell Phone Lens for iPhone 8, 7, 6s, 6, 5s & Samsung & Smartphones
0.4X Super Wide Angle Lens + 180° Fisheye Lens & 10X Macro Lens, Meet all of your demand! When you use the Fisheye lens, please DO not detach the Fisheye lens from the Macro lens.
Reviews
"The fisheye is super cool, but expect a small black ring around the picture. The order is. 1: wide. 2: macro. 3: fish eye. I also have a screen protector on my iPhone 6 and this product has a clear image with both cameras."
"I loved the idea of these but when we took them on our trip to Europe we discovered the caps come off the lenses very easily when traveling which caused the lenses to get a little scratched and the pictures to came out blurry when using the wide angle lense."
"I was very excited to try the lenses."
"So cool."
"I took a few photos when I first received it, and they looked pretty good."
"The second set of lenses that we purchased had an issue with the macro lens that would not allow the fisheye lens to be securely attached to the macro lens (both are required for the fisheye)."
"Nice and convenient kit."
"The macro lens by itself has an extremely shallow depth of field which makes it tricky to get your subject in focus. The large wide angle lens does work a little better, but there's still quite a bit of barrel distortion and the corners of the image are very soft. Amir: If you want a 5 star review from me you should improve the way the lens mounts to the clip. A twist lock similar to how SLR lenses work would be so much nicer. After a day or two of rolling around in my backpack the lenses have all fallen out of the bag. Update #2: Dropping to 2 stars after using the product some more and receiving 10 separate emails about this review, all clearly generated by a script."
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Best Camera & Camcorder Lens Bundles

Nikon AF-S FX NIKKOR 50mm f/1.8G Lens with Auto Focus for Nikon DSLR Cameras
Style: Lens Only. Newly developed optical system with Aspherical lens element, Exclusive Nikon Silent Wave Motor (SWM).
Reviews
"Purchased locally due to wanting to take for niece's son's 3rd b-day party today."
"Review of the Nikkor 50mm f/1.8G AF-S versus other Nikkor 50mm AF lenses. This quick review is based on my use of this lens for almost 3-weeks. It is intended for those already familiar with Nikkor's line of 50mm prime lenses but are wondering how this lens compare with the other Nikkor 50mm autofocusing lenses that I also own. AGAINST THE NIKKOR f/1.8D. The Nikkor 50mm f/1.8G is slightly bigger than the Nikkor 50mm f/1.8D and a bit heavier but by a mere 31 grams, hardly noticeable at all. Unlike the 50mm f/1.8D which has a maximum aperture of f/22, the maximum aperture of this lens is f/16 (as do the Nikkor 50mm f/1.4D and 1/4G). The aspherical element in the new Nikkor 50mm f/1.8G has further improved the acuity of this lens specially noticeable at the corners even at its wide-open setting. Priced very reasonably, this 50mm f/1.8G lens also now focuses on Nikon bodies without built-in focusing motors such as the Nikon D3000, D3100, D5000, D5100, D40, and D60. Considering that the 50mm f/1.8G has better optical performance (sharper, better bokeh, improvement on color and contrast), has an included hood, lens pouch, plus the flexibility of being able to use this lens with all of Nikon's dSLR, I strongly recommend anyone looking for a Nikkor 50mm f/1.8 lens to choose this Nikkor 50mm f/1.8G over the Nikkor 50mm f/1.8D. AGAINST THE NIKKOR 50mm f/1.4D. The Nikkor 50mm f/1.8G is slightly bigger than the Nikkor 50mm f/1.4D but is lighter by 63 grams. AGAINST THE NIKKOR 50mm f/1.4G. In terms of size, this lens is about equal with the Nikkor 50mm f/1.4G and also uses the same 58mm filter. The aperture ring remains handy and useful for manual control of aperture in video more so as the current video-enabled Nikon dSLRs do not allow the changing of aperture settings when video recording has started. ADDITIONAL NOTES OWNERS OF THE NIKKOR 35mm f/1.8G. The Nikkor 50mm f/1.8G is slightly bigger and slightly heavier than the Nikkor 35mm f/1.8G but the weight difference is not really noticeable. If you own a Nikkor 35mm f/1.8G and need the field of view of this lens, getting this lens would be a no-brainer. SUMMARY. In sum, this lens is currently the best Nikkor 50mm lens for general still photography when shooting from f/2.0 and above. The Nikkor f/1.4D with its aperture ring is particularly useful for video with its ability to change the aperture setting through the aperture ring even after video recording has started. This prime lens is a safe, inexpensive, and exceptional route to trying out how good a prime lens can be as against zoom lens."
"This was my first lens. It is very sharp and super quick."
"The only down-point is that sometimes 50 mm is too close for some shots, even if you step back, sometimes you screw with your composition, but this only happens if you want to take a picture of a large subject or a landscape, which is not the purpose of this lens for me."
"Not being able to zoom is something that I'm having to get used to, but the lens is everything it says plus more."
"Great little portrait lens for a DX nikon like the d3300/3400."
"I bought this lens as part of my endeavor to have better glass than my two kit lenses, and with intention to pushing my comfort zone and doing more portrait work."
"My 15 year old daughter wanted an f/1.4 lens for portraits."
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